Posted on Jun 13, 2010
By Chris Hedges
Orson Welles and John Houseman were preparing to mount a production in June 1937 in New York City called “The Cradle Will Rock,” a musical written by Marc Blitzstein and set in “Steeltown USA.” The musical followed the efforts of a worker, Larry Foreman, as he attempted to unionize steelworkers.
His nemesis was the heartless industrialist Mister Mister, who owned the steel mill and controlled the press, the church, local civic groups, politicians, the arts and the local university, where, as a trustee, Mister Mister made sure the pliant college president fired professors who did not laud the manly arts of war and capitalism. “The Cradle Will Rock” spared no one, from Mister Mister’s philanthropic wife and spoiled children to Reverend Salvation, who preached war in the name of Jesus, to feckless artists who devoted themselves to
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